John Waters at Home — And What a Home It Is
Eric van den Brulle made this portrait of filmmaker, writer, and self-proclaimed "Pope of Trash" John Waters during an editorial assignment in Baltimore. Photographed in the sanctuary of his bedroom, Waters is surrounded by the books, objects, and collected curiosities that have long fueled one of the most original imaginations in American cinema.
As van den Brulle photographed, the television glowing quietly in the background announced the results of the 2016 U.S. presidential election. It was one of those extraordinary moments in which history unexpectedly entered the frame. There sat the creator of Pink Flamingos, Hairspray, Female Trouble, Serial Mom, and countless other cult classics, while the former host of The Apprentice was declared the next President of the United States.
When the result was confirmed, Waters turned to van den Brulle, smiled, and said simply, "Buckle up." It was a remark that, in hindsight, feels as memorable as the photograph itself—a fleeting exchange that forever became part of the story behind the image.
Yet the portrait remains deeply intimate. It is less about politics than presence: a portrait of an artist completely at ease within the world he has spent decades creating. Every shelf, every book, and every carefully chosen object hints at the wit, intelligence, and irreverence that have made John Waters one of America's most influential independent filmmakers.
For admirers of John Waters, collectors of contemporary portraiture, and lovers of American independent cinema, this photograph captures a singular artist at a singular moment in American cultural history.
Printed on Fuji Crystal Archive paper, with optional acrylic glass or Alu-Dibond mounting, for a gallery-quality finish.
